{"id":117771,"date":"2014-12-11T12:03:13","date_gmt":"2014-12-11T12:03:13","guid":{"rendered":"https:\/\/develop.mercatflors.cat\/blog\/?p=203"},"modified":"2023-06-15T09:42:35","modified_gmt":"2023-06-15T09:42:35","slug":"claire-ducreux-refugiada-poetica-per-jordi-ribot-thunnisen","status":"publish","type":"blog","link":"https:\/\/develop.mercatflors.cat\/es\/blog\/claire-ducreux-refugiada-poetica-per-jordi-ribot-thunnisen\/","title":{"rendered":"‘Claire Ducreux: REFUGIADA PO\u00c8TICA’, per Jordi Ribot Thunnisen"},"content":{"rendered":"

[…] alg\u00fa ha de fer malabarismes sobre la corda<\/strong> <\/em><\/p>\n

Franz Kafka<\/p>\n

[…] si l\u00edcitament fugen \u00e9s per efecte de la incoher\u00e8ncia general<\/strong> <\/em><\/p>\n

Antoine de Saint-Exup\u00e9ry<\/p>\n

Autor:\u00a0Jordi Ribot Thunnissen<\/strong><\/p>\n

La primera vegada que vaig veure la Claire Ducreux va ser a Banyoles, acompanyada de Toni Mira a En attendant l\u2019inattendu<\/em>. Recordo que en acabat vaig pensar que l\u2019espectacle havia estat bonic. Bonic en un sentit petit, com a adjectiu c\u00e0lid. No dit per tant amb voluntat d\u2019entrar en debats est\u00e8tics sobre all\u00f2 que \u00e9s Bell. Bonic com un vers de Mart\u00ed i Pol: Ho dic content: molt he estimat i molt he d\u2019estimar. Vull que tothom ho s\u00e0piga.<\/em> I ja est\u00e0.<\/p>\n

\u00a0<\/em>Claire Ducreux es va formar a Lyon, sota aquest paraig\u00fces de diversitats locals que \u00e9s l\u2019entramat de conservatoris de dansa contempor\u00e0nia de Fran\u00e7a. Per\u00f2 el que l\u2019ha fet especial ha estat la combinaci\u00f3 d\u2019un bon treball de dansa amb el gest i la construcci\u00f3 d\u2019un clown personal\u00edssim<\/strong>. Un alter ego de si mateixa que l\u2019ha acompanyada, creixent amb ella, des de la seva obra revelaci\u00f3 Madame et Monsieur<\/em>, feta en col\u00b7laboraci\u00f3 amb el clown Leandre Ribera, l\u2019any 1999. A M&M <\/em>a la Claire se la veia innocent, una ballarina amb una gran expressivitat teatral entretinguda per i amb un pallasso que sabia moure\u2019s. Mica en mica, per aix\u00f2, la ballarina va anar deixant m\u00e9s terreny al clown, fins a esdevenir el personatge delicat i tendre que ha voltat m\u00f3n literalment i figurativa a trav\u00e9s dels seus espectacles. Refugi\u00e9e Po\u00e9tique<\/em> \u00e9s l\u2019\u00faltim, amb la novetat que es reclou a l\u2019interior d\u2019un teatre enlloc de presentar-se en la din\u00e0mica del carrer.<\/p>\n

Dansa i clown, clown i dansa, per\u00f2 de nou sense entrar en grans debats. Ni en un m\u00f3n ni en l\u2019altre. Claire Ducreux no \u00e9s un exemple per a estudis te\u00f2rics sobre la significaci\u00f3 de la forma del cos en moviment, avui. No. Tampoc pret\u00e9n al\u00e7ar la veu per fer una aposta clara sobre qu\u00e8 \u00e9s o vol ser un clown. Tampoc. Podr\u00edem afirmar que Claire Ducreux passa de puntetes per places i carrers sense afirmar ni afirmar-se amb massa vehem\u00e8ncia<\/strong>. Fins i tot a nivell purament sonor, els seus delicats espectacles molt soroll no fan.<\/p>\n

Per\u00f2, i vet aqu\u00ed la clau, aquest silenci no t\u00e9 res de negatiu: un descans de contund\u00e8ncia po\u00e8tica s\u2019agraeix en el nostre panorama. I m\u00e9s encara: El professor i dramaturg Roberto Fratini explica en les seves pon\u00e8ncies \u2013 citant Val\u00e9ry \u2013 que la dansa \u00e9s l\u2019art que apareix quan les altres arts reposen i callen. Quan les muses, distretes, es posen a ballar, apareix Terpsichore \u2013 deessa de la dansa \u2013 i s\u2019apodera del seu silenci. Silenci que la fa, precisament, universal: La dansa com a art lleugera, \u2018poc important\u2019 i per aix\u00f2 essencial.<\/p>\n

No plantejar grans preguntes est\u00e8tiques \u00e9s, per tant, senyal de covardia po\u00e8tica? No despla\u00e7ar les fronteres del llenguatge esc\u00e8nic \u00e9s senyal de comercialitat? No, o no sempre. En aquest cas, seria m\u00e9s adient definir Claire Ducreux com un basti\u00f3 m\u00f2bil de defensa de la na\u00efvet\u00e9<\/em> de l\u2019artista, del joglar i del rodam\u00f3n, que observen i mostren el m\u00f3n des de la seva particular bombolla<\/strong> sense entrar en debat.<\/p>\n

Afegint a la fragilitat del seu personatge per tant la fragilitat po\u00e8tica essencial de la dansa i l\u2019ef\u00edmer del teatre de carrer, Claire s\u2019ha fet durant anys foned\u00eds, apareixent en una pla\u00e7a per vessar una ll\u00e0grima, marxar, i vessar-ne una de nova l\u2019endem\u00e0 a la pla\u00e7a seg\u00fcent, sense deixar m\u00e9s arrel que una petjada. De paseo, Barco de Arena, El somriure del n\u00e0ufrag<\/em>… Els t\u00edtols dels seus espectacles ho anticipen.<\/p>\n

Ara, amb Refugi\u00e9e Po\u00e9tique<\/em> entra en un teatre, i qui sap si aquesta no \u00e9s la seva afirmaci\u00f3 m\u00e9s agosarada: \u2018Paren el mundo, que yo me bajo\u2019 deia Groucho. En un m\u00f3n que es mou m\u00e9s r\u00e0pid que ella, i en una \u00e8poca on sembla que tothom hagi de tenir veu i blog, l\u2019acte de frenada i reclusi\u00f3 volunt\u00e0ria de Claire Ducreux la converteix en una refugiada po\u00e8tica en un sentit bastant literal.<\/p>\n

Diu Jon Davison que una de les m\u00faltiples definicions possibles i sempre q\u00fcestionables del clown li atorga la capacitat de posar-nos en contacte amb el nostre jo m\u00e9s profund, amb quelcom d\u2019essencial de la nostra naturalesa. Jo no crec que veure un espectacle de Claire Ducreux tingui directament aquest efecte en l\u2019espectador, per\u00f2 s\u00ed que permet obrir un espai de calma. Aqu\u00ed, un es pot entendrir veient al clown barallar-se amb un paraig\u00fces, es pot deixar endur pels seus balancejos sobre un banc massa gros i pot relaxar la mirada perqu\u00e8 s\u00ed, perqu\u00e8 \u00e9s bonic de veure i prou. Com les muses, a estones ballar o veure ballar pot ser, nom\u00e9s, distreure\u2019s una estona. I distrets, potser connectem en silenci efectivament amb quelcom que, al final, \u00e9s m\u00e9s important que tota resposta a cap gran pregunta.<\/p>\n

CLAIRE DUCREUX presenta R\u00e9fugi\u00e9e Po\u00e9tique<\/em> al Mercat de les Flors del 19 al 21 de desembre de 2014<\/span>
\n<\/a><\/p>\n

Bibliografia, i altres links d\u2019inter\u00e8s<\/strong><\/p>\n

DAVISON, Jon. Clown (Readings in Theatre Practice)<\/em>, Palgrave, 2013<\/p>\n

VALERY, Paul. L\u2019\u00e0nima i la dansa<\/em>. Quaderns Crema, 1983<\/p>\n

SAINT-EXUP\u00c9RY, Antoine de. Pilot de guerra<\/em>. Edicions 62, 2000<\/p>\n

Centdanses \u2013 El solo. Maurice Bejart:\u201cF<\/em>aig un solo per mi, perqu\u00e8 nom\u00e9s jo tinc els defectes que necessito.<\/em>\u201d<\/em> http:\/\/centdanses.mercatflors.cat\/2-dansa-de-solo\/solo\/<\/a><\/span><\/span><\/p>\n

Jon Davison \u2013 Clown Theory: http:\/\/www.jondavison.net\/clowntheory.html<\/a><\/span><\/p>\n

Num\u00e9ridanse \u2013 Performing Arts Movement (dansa sumada a altres t\u00e8cniques del moviment com l\u2019acrob\u00e0cia): http:\/\/www.numeridanse.tv\/medias\/docs\/Performing_arts_movement.pdf<\/a><\/span><\/span><\/p>\n

Num\u00e9ridanse \u2013 Danser dehors (altres propostes pol\u00edtiques i po\u00e8tiques del ballar a l\u2019exterior) http:\/\/www.numeridanse.tv\/medias\/docs\/Outdoor_dances.pdf<\/a><\/span><\/p>\n

Num\u00e9ridanse \u2013 Danse et humour (en defensa de la dansa amb sentit de l\u2019humor): http:\/\/www.numeridanse.tv\/medias\/docs\/Dance_and_humor.pdf<\/a><\/span><\/p>\n

 <\/p>\n

Videografia i altres propostes<\/strong><\/p>\n

Claire Ducreux, Toni Mira. En attendant l\u2019inattendu: https:\/\/www.youtube.com\/watch?v=tJIhLlVUVu8<\/a><\/span><\/span><\/p>\n

Claire Ducreux i Leandre Ribera. Madame et Monsieur: https:\/\/www.youtube.com\/watch?v=DNzl4EpdVGs<\/a><\/span><\/span><\/p>\n

Altres exemples de dansa, clown i una mica m\u00e9s:<\/em><\/p>\n

Claude Brumachon, Benjamin Lamarche. Icare: http:\/\/www.numeridanse.tv\/fr\/video\/1353_icare<\/a><\/span><\/span><\/p>\n

Cr\u00edtica de Nidea – Xavi Estrada. (Jordi Sora) http:\/\/escenadelamemoria.blogspot.com.es\/2014\/10\/nidea.html<\/a><\/span><\/span><\/p>\n

Joan Brossa. Suite Bufa. https:\/\/www.youtube.com\/watch?v=6leX6M7pNk8<\/a><\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

El basti\u00f3 m\u00f2bil de l\u2019essencial na\u00eff<\/p>\n","protected":false},"featured_media":117790,"template":"","categoria":[6498],"etiqueta_blog":[6521,6489,6589,6590,6591,6592,6593,6486],"class_list":["post-117771","blog","type-blog","status-publish","has-post-thumbnail","hentry","categoria-temporada-2014-15","etiqueta_blog-acrobacia","etiqueta_blog-catalunya","etiqueta_blog-dansa-moderna","etiqueta_blog-franca","etiqueta_blog-neo-circ","etiqueta_blog-public-familiar","etiqueta_blog-recorregut","etiqueta_blog-solo"],"acf":[],"yoast_head":"\n'Claire Ducreux: REFUGIADA PO\u00c8TICA', per Jordi Ribot Thunnisen<\/title>\n<meta name=\"description\" content=\"El basti\u00f3 m\u00f2bil de l\u2019essencial na\u00eff\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/develop.mercatflors.cat\/es\/blog\/claire-ducreux-refugiada-poetica-per-jordi-ribot-thunnisen\/\" 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