{"id":176913,"date":"2014-12-26T22:33:36","date_gmt":"2014-12-26T22:33:36","guid":{"rendered":"https:\/\/develop.mercatflors.cat\/blog\/creacio-i-trajectoria-de-mal-pelo-per-carlota-subiros\/"},"modified":"2014-12-26T22:33:36","modified_gmt":"2014-12-26T22:33:36","slug":"creacio-i-trajectoria-de-mal-pelo-per-carlota-subiros","status":"publish","type":"blog","link":"https:\/\/develop.mercatflors.cat\/en\/blog\/creacio-i-trajectoria-de-mal-pelo-per-carlota-subiros\/","title":{"rendered":"‘Territori Mal Pelo’, per Carlota Subir\u00f3s"},"content":{"rendered":"
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Transcripci\u00f3 de la confer\u00e8ncia realizada per Carlota Subir\u00f3s, directora d’escena i fidel seguidora del treball de Mal Pelo, en el marc de la primera edici\u00f3 de Performances de la mirada<\/em>, taller d\u2019espectadors del Mercat de les Flors (temporada 2013-14). La confer\u00e8ncia va tenir lloc uns dies abans d’assistir a l’espectacle L’esperan\u00e7a de vida d’una llebre<\/em> al Mercat de les Flors. Els participants al taller van fer una visita a L’animal a l’esquena, centre de creaci\u00f3 de Mal Pelo: van presenciar un assaig de l’obra, van con\u00e8ixer\u00a0la hist\u00f2ria i el projecte de l’espai, i finalment va tenir lloc aquesta xerrada de la Carlota Subir\u00f3s. En un moment de la seva exposici\u00f3, Pep Ramis, codirector del grup, s\u2019hi va afegir per conversar amb ella i els assistents.<\/strong><\/p>\n

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\u00abVaig tenir la fortuna de veure per primera vegada un espectacle de Mal Pelo quan tot just tenia divuit o dinou anys i estava descobrint, fascinada, el m\u00f3n de la dansa contempor\u00e0nia. Des de llavors he anat seguint, de prop o de lluny, la seva incessant feina de recerca i creaci\u00f3 \u2013espectacles, cursos, exposicions, actuacions \u00faniques en espais espec\u00edfics, reflexi\u00f3 sobre la pr\u00f2pia feina… Aix\u00f2 m\u2019ha perm\u00e8s descobrir que Mal Pelo, m\u00e9s enll\u00e0 de les personalitats poderoses de Mar\u00eda Mu\u00f1oz i Pep Ramis i del seu fidel equip de col\u00b7laboradors, \u00e9s una manera d\u2019entendre l\u2019art del cos en escena. \u00c9s una manera d\u2019acostar-se al moviment, a la pres\u00e8ncia, a la creaci\u00f3 esc\u00e8nica concebuda com un espai de significaci\u00f3 extraordin\u00e0riament f\u00e8rtil, tan carregat de for\u00e7a com de subtilesa. I Mal Pelo \u00e9s tamb\u00e9 una manera de viure i de treballar. Mal Pelo \u00e9s un m\u00f3n que t\u00e9 el cor al Mas Espolla, als afores de Celr\u00e0, i que des d\u2019all\u00e0 fa ressonar el seu batec en una po\u00e8tica esc\u00e8nica marcada per la investigaci\u00f3 constant i per un comprom\u00eds profund amb la capacitat d\u2019escriptura del cos en l\u2019espai.<\/em>\u00bb<\/p>\n

Carlota Subir\u00f3s<\/p>\n

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Descarrega la confer\u00e8ncia sencera en PDF<\/a><\/strong><\/p>\n

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Carlota Subir\u00f3s Bosch<\/strong>\u00a0(Barcelona, 1974) \u00e9s llicenciada en Direcci\u00f3 Esc\u00e8nica i Dramat\u00fargia, amb el Premi Extraordinari de l\u2019Institut del Teatre (1997), i llicenciada en Filologia Italiana amb el Premi d\u2019Honor de la Universitat de Barcelona (2001). Ha dirigit m\u00e9s d\u2019una vintena d\u2019espectacles professionals, l\u2019\u00faltim, La rosa tatuada, de Tennessee Williams, al TNC (2013). Entre 2003 i 2011 va formar part de l\u2019Equip de Direcci\u00f3 Art\u00edstica del Teatre Lliure, amb responsabilitats en la programaci\u00f3 del teatre i en l\u2019edici\u00f3 de la publicaci\u00f3 DDT, Documents de Dansa i Teatre. Entre els seus espectacles es poden destacar Els estiuejants (2006), de Maksim Gorki; Apr\u00e8s moi, le d\u00e9luge (2007), de Llu\u00efsa Cunill\u00e9; Jugar amb un tigre (2008), de Doris Lessing; Rodoreda, un retrat imaginari (2008), basat en l\u2019obra de Merc\u00e8 Rodoreda; Al\u00edcia (2009), basat en l\u2019obra de Lewis Carroll, o Les tres germa- nes (2011), d\u2019Anton Tx\u00e9khov, entre d\u2019altres. Ha tradu\u00eft al catal\u00e0 nombroses obres dram\u00e0tiques i imparteix diferents cursos a l\u2019Institut del Teatre i a l\u2019Obrador Internacional de Dramat\u00fargia de la Sala Beckett. Des de 2013 forma part del comit\u00e8 de lectura del Teatre Nacional de Catalunya. En aquest darrer any va col\u00b7laborar en el proc\u00e9s de creaci\u00f3 de l\u2019espectacle L\u2019esperan\u00e7a de vida d\u2019una llebre, de Mal Pelo, i en l\u2019edici\u00f3 del llibre Swimming Horses, que repassa la traject\u00f2ria d\u2019aquesta companyia dirigida per Pep Ramis i Mar\u00eda Mu\u00f1oz.<\/p>\n

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Edici\u00f3: Agost Produccions<\/strong><\/a> i Mercat de les Flors<\/strong><\/p>\n

Amb el suport de:<\/p>\n

\"cultura_bn_h3\"<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Confer\u00e8ncia de Carlota Subir\u00f3s en el marc de la visita del taller d’espectadors de la temporada 2013-14 a L’animal a l’esquena, espai de creaci\u00f3 de la companyia Mal Pelo; amb la participaci\u00f3 de Pep Ramis, codirector de la companyia.<\/p>\n","protected":false},"featured_media":176481,"template":"","categoria":[6575],"etiqueta_blog":[6576,6631,6565,6490,6537,6609,6620,6632,6633,6634,6587],"class_list":["post-176913","blog","type-blog","status-publish","has-post-thumbnail","hentry","categoria-taller-despectadors","etiqueta_blog-espectadorsinquiets","etiqueta_blog-carlota-subiros","etiqueta_blog-coreografia","etiqueta_blog-dansa","etiqueta_blog-dansa-contemporania","etiqueta_blog-danza-contemporanea","etiqueta_blog-espectadors","etiqueta_blog-lanimal-a-lesquena","etiqueta_blog-mal-pelo","etiqueta_blog-pep-ramis","etiqueta_blog-taller-despectadors"],"acf":[],"yoast_head":"\n'Territori Mal Pelo', per Carlota Subir\u00f3s<\/title>\n<meta name=\"description\" content=\"Confer\u00e8ncia de Carlota Subir\u00f3s en el marc de la visita del taller d'espectadors de la temporada 2013-14 a L'animal a l'esquena, espai de creaci\u00f3 de la companyia Mal Pelo; 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