{"id":117847,"date":"2014-11-14T11:56:10","date_gmt":"2014-11-14T11:56:10","guid":{"rendered":"https:\/\/develop.mercatflors.cat\/blog\/?p=204"},"modified":"2023-06-15T09:42:43","modified_gmt":"2023-06-15T09:42:43","slug":"intuicions-universals-per-ester-vendrell","status":"publish","type":"blog","link":"https:\/\/develop.mercatflors.cat\/en\/blog\/intuicions-universals-per-ester-vendrell\/","title":{"rendered":"‘Intu\u00efcions Universals’, per Ester Vendrell"},"content":{"rendered":"

\u201dLa refulgente y silenciosa quietud del placer est\u00e9tico es el instante en el que la suprema cualidad de la belleza, el claro esplendor de la imagen est\u00e9tica, es aprehendido luminosamente por la mente sobrecogida por su completitud y fascinada por su armon\u00eda: un estado espiritual muy similar a la condici\u00f3n card\u00edaca que el fisi\u00f3logo italiano Luigi Galvani, con una frase casi tan hermosa como la de Shelley , llam\u00f3 el encantamiento del coraz\u00f3n\u201c<\/em><\/strong><\/p>\n

… Retrat de l\u2019artista adolescent de J Joyce,(1916) a Las extensiones exteriores del espacio interior de Joseph Cambpell (1986,2013).<\/em><\/p>\n

Autor: Ester Vendrell i Sales<\/strong><\/p>\n

M\u00fasica i dansa s\u00f3n expressions de l\u2019\u00e9sser hum\u00e0 i llenguatges aut\u00f2noms per\u00f2 s\u2019interrelacionen des d\u2019un origen remot. La dansa, majorit\u00e0riament, es d\u00f3na acompanyada de la m\u00fasica, ja sigui per la percussi\u00f3 del propi cos, la veu humana o dels instruments. M\u00fasica i dansa han dialogat al llarg de la hist\u00f2ria de la humanitat en contextos socials i culturals diferents: sagrats o profans, festius o cerimonials, p\u00fablics o privats. M\u00fasica i dansa s\u2019han relacionat de manera interdependent, contraposada, coincident o fusionant-se. Comparteixen el ritme com una pulsi\u00f3 interna i la melodia com a mitj\u00e0 expressiu. Ambdues s\u00f3n manifestacions de la humanitat que expressen de manera abstracta emocions i pensaments, i ho fan encarnant-se, ja sigui a trav\u00e9s de la veu o el cos en moviment. La veu i la dansa es consideren extensions exteriors de la dimensi\u00f3 interior del ser i, com a arts, s\u00f3n miralls que activen el tr\u00e0nsit entre l\u2019\u00e0mbit interior i exterior.<\/strong>\u00a0<\/strong><\/p>\n

En el context de la globalitzaci\u00f3 , tamb\u00e9 cultural, una proposta de di\u00e0leg art\u00edstic entre m\u00fasica i dansa \u00e9s tamb\u00e9 un di\u00e0leg entre tradicions culturals i traject\u00f2ries personals, per\u00f2 sobretot un di\u00e0leg entre \u00e0nimes. Un encontre que aporta possibilitats d\u2019experimentaci\u00f3, juxtaposici\u00f3, confusi\u00f3 per\u00f2 tamb\u00e9, i per sobre de tot, comuni\u00f3.<\/p>\n

Que el context po\u00e8tic de Pina Bausch fos l\u2019espai originari de trobada i conflu\u00e8ncia entre la m\u00fasica de Ferran Savall i la dansa de Shantala Shivalingappa en Solo <\/em>formant part de l\u2019espectacle Namasya<\/em> girant arreu del m\u00f3n, no \u00e9s casual. La m\u00e0xima de Pina \u201cm\u2019importa all\u00f2 que mou les persones i no tant com es mouen\u201d <\/strong>ens parla ja d\u2019afinitats, de recerques comunes, de territoris compartits. Per tant, contextualitza punts de partida, camins d\u2019exploraci\u00f3 i ports d\u2019arribada: expressivitat, llibertat i sensibilitat humana, aspectes de l\u2019expressi\u00f3 art\u00edstica que Ferran Savall i Shantala Shivalingappa han compartit en diferents encontres.<\/p>\n

A Impro <\/em>conflueixen a escena bagatges i traject\u00f2ries de densitat, avalades per la tradici\u00f3 d\u2019orient i d\u2019occident, per\u00f2 obertes al present, a l\u2019aqu\u00ed i l\u2019ara, tot permetent transfer\u00e8ncies, contaminacions i coincid\u00e8ncies. Shantala Shivalingappa, Ferran Savall i els m\u00fasics que l\u2019acompanyen, Driss el Maloumi, Jordi Gaspar, David Mayoral i Nedyalko Nedyalkov, s\u00f3n \u00e0nimes transitant per un cam\u00ed com\u00fa i universal de tot creador: la intu\u00efci\u00f3. Intu\u00efci\u00f3 entesa com aquell territori del coneixement\u00a0 per la via\u00a0 directa de l\u2019immediat , que brolla de l\u2019interior, sense interfer\u00e8ncia deductiva i que \u00e9s territori prioritari de l\u2019art a difer\u00e8ncia del cam\u00ed de la ra\u00f3 i la via de l\u2019intel\u00b7lecte i la paraula. I \u00e9s per aix\u00f2 que la percepci\u00f3 i el canal dels sentits -priorit\u00e0riament la vista, l\u2019o\u00efda i l\u2019empatia kinest\u00e8sica- se\u2019ns presenten com els mitjans per endinsar-nos a Impro.<\/em><\/p>\n

La veu de Ferran Savall, volunt\u00e0riament no articulada en paraules, sorgida d\u2019exploracions i de l\u2019endinsament en terrenys i sonoritats reconegudes que fluctuen pel jazz, el soul, la bossa nova i la m\u00fasica d\u2019arrel tradicional, genera un paisatge emocional i sensible. Shantala Shivalingappa pren la m\u00fasica com a saba per jugar i dialogar a partir de la seva dansa tant personal , suma de la tradici\u00f3 sagrada de l\u2019\u00cdndia \u2013el Kuchipudi- per\u00f2 lliure i plena de pr\u00e9stecs d\u2019altres influ\u00e8ncies. En ella convergeixen l\u2019abstracci\u00f3 pura de la dansa, a trav\u00e9s del ritme, i l\u2019expressivitat a partir del moviment dels bra\u00e7os, les mans i el tor\u00e7. Una dansa imbu\u00efda de transcend\u00e8ncia on moviment, m\u00fasica i paraula formen una tr\u00edade inseparable, segons el Natya Sastra.<\/p>\n

La m\u00fasica actua doncs com la veu interior, com aquella vibraci\u00f3 que impregna el cos de Shantala. I la bellesa de la forma resultant no \u00e9s m\u00e9s que l\u2019encarnaci\u00f3 de cos, ment i esperit. I \u00e9s en ella mateixa una forma de ioga, d\u2019uni\u00f3, ja que com b\u00e9 afirma J. Campbell \u2013en boca de la ballarina i core\u00f2grafa Jean Erdman– \u201cla via del m\u00edstic i la de l\u2019artista s\u2019assemblen, amb la difer\u00e8ncia que el m\u00edstic no la t\u00e9 per ofici<\/em><\/strong>\u201d.<\/p>\n

Qu\u00e8 ens proposen doncs aquests artistes en escena? Ens conviden a compartir aquesta intu\u00efci\u00f3 com una gran \u201cinspiraci\u00f3\u201d, ens mouen a incorporar la bellesa per il\u00b7luminar els sentits, aturar la ment i encisar el cor.<\/p>\n

SHANTALA SHIVALINGAPPA \/ FERRAN SAVALL presenta Impro Sharana<\/em>. Del 12 al 14 de desembre<\/a><\/span><\/p>\n

Videografia
\n<\/strong><\/p>\n

(Post show talk de ShantalaShivalingappa al Jacob\u2019sPillow Festival, Juliol 2013)<\/p>\n

https:\/\/www.youtube.com\/watch?v=uY2V5ozN3Pc<\/a><\/span><\/p>\n

ShantalaShivalingappa i Ferran Savall a Bhavana<\/em> al Festival Divinamente.<\/span><\/p>\n

https:\/\/www.youtube.com\/watch?v=3Q6BxSxr56k<\/a><\/span><\/span><\/p>\n

(Mayte Martin y Belen Maya, a La tarara<\/em>, 1998)<\/span><\/p>\n

https:\/\/www.youtube.com\/watch?v=1NMYy58djs0<\/a><\/span><\/p>\n

Torobaka<\/em> de Akram Kahn i Israel Galvan. ( Trailer)<\/span><\/p>\n

https:\/\/www.youtube.com\/watch?v=L0sU671mIVg<\/a><\/span><\/span><\/p>\n

SavithaSastry Actuaci\u00f3 de Baratha Nathyam.<\/p>\n

https:\/\/www.youtube.com\/watch?v=SgiLOzFQh14<\/a><\/span><\/span><\/p>\n

Cloud Gate Company, Songs of wanderers<\/em>.<\/p>\n

https:\/\/www.youtube.com\/watch?v=Lg6PrDRuVqc<\/a><\/span><\/p>\n

Ma<\/em> d\u2019Akram Khan Dance Company<\/p>\n

https:\/\/www.youtube.com\/watch?v=6YvsV0iBkb0<\/a><\/span><\/p>\n


\nBibliografia<\/strong><\/p>\n

Narayan,Shoyana( 2005); TheSterling Book of indianClassical Dance<\/em>\u00a0.SterlingPublishers.<\/p>\n

\u00a0<\/strong>Campbell, Joseph( 1985); Las extensionesexteriores del espacio interior<\/em>.Atalanta.2013 (edici\u00f3 castellana).<\/p>\n

Coomaraswamy,Ananda K. (2006). La danza de Shiva<\/em>.Siruela.<\/p>\n

BharathaMuni (?);NatyaSastra<\/em> .A teatrise on Hindu Dramaturgy and Histrionics<\/em>. Ed. Royal AsiaticSociety of Bengal.<\/p>\n

Leigh Foster, Susan ( 2010); Choreographing Empathy. Kinesthesia in Performance<\/em>. Routledge.<\/p>\n


\nLinkografia:<\/strong><\/p>\n

http:\/\/shantalashivalingappa.com\/kuchipudi\/<\/a><\/span><\/p>\n

https:\/\/jambudveep.files.wordpress.com\/2012\/03\/natyashastra.pdf<\/a><\/span><\/p>\n

http:\/\/www.aahaarya.org\/kuchipudi.html<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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