{"id":117616,"date":"2015-02-25T11:16:32","date_gmt":"2015-02-25T11:16:32","guid":{"rendered":"https:\/\/develop.mercatflors.cat\/blog\/?p=555"},"modified":"2023-06-15T09:43:38","modified_gmt":"2023-06-15T09:43:38","slug":"taratati-tarata-mira-cap-aqui-mira-cap-alla-xim-pum-circ-i-sintesi-per-jordi-ribot-thunnissen","status":"publish","type":"blog","link":"https:\/\/develop.mercatflors.cat\/en\/blog\/taratati-tarata-mira-cap-aqui-mira-cap-alla-xim-pum-circ-i-sintesi-per-jordi-ribot-thunnissen\/","title":{"rendered":"‘Taratat\u00ed-tarat\u00e1, mira cap aqu\u00ed, mira cap all\u00e0, xim pum, circ… i s\u00edntesi!’ per Jordi Ribot Thunnissen"},"content":{"rendered":"

He who seeks does not find<\/em>, but he who does not seek will be found<\/em>.<\/p>\n

Franz Kafka – The Third Notebook
\n<\/strong>\u00a0<\/em><\/p>\n

\u201cC\u2019est pas par l\u00e0, c\u2019est par ici\u00a0!\u201d<\/em><\/p>\n

\u201cC\u2019est pas par l\u00e0, c\u2019est par ici\u00a0!\u201d<\/em><\/p>\n

La Chantatrice Chauve, Eugene Ionesco<\/strong><\/p>\n

El m\u00f3n de les etiquetes ens pot arribar a perdre. Cacophonic Pictures Orkestar cau, en principi, sota el que hem escollit anomenar \u201cNou Circ\u201d. M\u00e9s que res perqu\u00e8 es prodiga i se\u2019ls programa eminentment en el circuit de festivals i sales de circ. Ja que parlem d\u2019etiquetes, donem-les-hi contingut: el Nou Circ defineix una onada d\u2019inter\u00e8s renovat per aquesta disciplina art\u00edstica a partir de finals dels anys vuitanta. En una \u00e8poca on la hibridaci\u00f3 de totes les arts ja tornava a estar a l\u2019ordre del dia \u2013 cicle que, tossut, persisteix \u2013 el nou circ va obrir un espai de cohabitaci\u00f3 per la fascinaci\u00f3 de l\u2019acrob\u00e0cia, del truc; i la transmissi\u00f3 d\u2019una po\u00e8tica m\u00e9s concreta, constru\u00efda per i vinculada a cada espectacle particular. L\u2019acrob\u00e0cia posada al servei o compartint pis amb un concepte dramat\u00fargic per l\u2019obra, una idea, un qu\u00e8 determinat que fes del salt mortal un salt cap a… quelcom m\u00e9s…<\/p>\n

Aquesta combinaci\u00f3 de domini d\u2019una t\u00e8cnica amb la construcci\u00f3 d\u2019un m\u00f3n po\u00e8tic amb regles pr\u00f2pies i \u00faniques va apropar molt el circ a la dansa, ja que les prerrogatives i els elements posats en joc s\u00f3n sovint molt similars (molt m\u00e9s sovint del que les etiquetes permeten recon\u00e8ixer a primera vista). La dansa tamb\u00e9 juga amb la fascinaci\u00f3 pel que el p\u00fablic no sap fer, el salt, l\u2019elevaci\u00f3. El circ tamb\u00e9 parteix del cos t\u00e8cnic per generar vertigen. Tot i tot, les difer\u00e8ncies tamb\u00e9 s\u00f3n existents i clares. Des del circ, per exemple, la t\u00e8cnica sovint est\u00e0 enfocada a un objecte o element extern al cos, que es domina fins a semblar que en formi part \u2013 un cable, pilotes, plats, trapezi, llarg etc. \u2013 mentre que en dansa el cos \u00e9s m\u00e9s aviat motor i contenidor de la t\u00e8cnica, que m\u00e9s sovint que menys vol quedar amagada rere el quelcom de m\u00e9s que es vol expressar a trav\u00e9s del moviment. La balan\u00e7a en el m\u00f3n del circ en canvi (nou o vell) segueix caient de la banda de la fascinaci\u00f3 pel salt ben aconseguit: la vocaci\u00f3 po\u00e8tica o la dramat\u00fargia donen estructura, ritme, tema i m\u00e0gia, per\u00f2 no destorben l\u2019efici\u00e8ncia i la precisi\u00f3. Entre truc i truc, personatge, entre truc i truc, hist\u00f2ria, ambient.<\/p>\n

Defensor i promotor de tota proximitat entre disciplines, el Mercat de les Flors ens ha acostat propostes brillants d\u2019aquest Nou Circ els \u00faltims anys. Bon exemple n\u2019\u00e9s el cicle Circ d\u2019Ara Mateix de la temporada passada, per\u00f2 vull recordar-ne un d\u2019anterior per explicar millor el cas de Cacophonic Pictures Orkestar. Els francesos Les Colporteurs van dur l\u2019any 2010 a una carpa a la Pla\u00e7a Margarida Xirgu un espectacle petit i bonic, on la mestria dels set acr\u00f2bates sobre els cables, repartits en diferents nivells per l\u2019espai, narrava<\/em> en imatges po\u00e8tiques la hist\u00f2ria d\u2019un artista del cable caigut… Altament impactant era el moment en qu\u00e8 apareixia el co-creador de la companyia, efectivament malferit en un accident i incapacitat. Amb prou feines podia seguir una l\u00ednia recta pintada sobre el terra de la pista. A part d\u2019aquest moment de veritat en cru, per\u00f2, el virtuosisme t\u00e8cnic era posat a relluir. Embolcallat amb cura per personatges senzillament definits, desapareixien en el moment que calia concentrar-se per no caure. El primer \u00e9s el primer, i llavors, entre pirouette<\/em> i salt, somriure, gest, acci\u00f3.<\/p>\n

En combinar diferents disciplines la s\u00edntesi \u00e9s molt complexa i no obstant, en la s\u00edntesi es troba la clau. Ja des dels inicis de l\u2019onada i molt abans, els defensors de la combinaci\u00f3 de les arts \u2013 vinguts del m\u00f3n de la dansa o del circ, deixem les etiquetes un moment a banda \u2013 van trobar en Alwin Nikola\u00efs un gran mestre. Home orquestra, core\u00f2graf, dissenyador, il\u00b7luminador, etc. va fer de la suma de disciplines el seu manifest. Nikolais va encunyar el terme Moci\u00f3 per definir l\u2019all\u00f2 com\u00fa a qu\u00e8 tota disciplina del cos aspira, i cap a on es pot treballar des de tots els \u00e0mbits. Un dels seus alumnes m\u00e9s preeminents va ser Philippe D\u00e9coufl\u00e9, i amb ell tornem a tenir el circ m\u00e9s a la vora, tant com la s\u00edntesi en molts dels seus experiments. Rere seu o costat per costat, segueixen apareixent noves aproximacions i intents de resposta a una pregunta que roman: Com superar les etiquetes, i fer des del circ un espectacle que vagi m\u00e9s enll\u00e0? Deixant de posar el truc al centre? Deixant la t\u00e8cnica en segon pla? I llavors, del circ, qu\u00e8 en queda?<\/p>\n

Parlem de Disparate!. Aquest grup d\u2019int\u00e8rprets h\u00edbrids aposta per trobar la s\u00edntesi a trav\u00e9s del caos. En el seu m\u00f3n particular, on tothom sap fer una mica de tot, una colla de tristos membres d\u2019orquestra (?) van mostrant cara al p\u00fablic petits trucs maldestres i aproximats, enlla\u00e7ant escenes igualment mal fetes per donar nom\u00e9s continu\u00eftat a l\u2019absurd del seu existir a escena, cada vegada m\u00e9s desordenat. Al centre? La m\u00fasica, tamb\u00e9 mal tocada, d\u2019un seguit d\u2019instruments. Sobre aix\u00f2: Encara ens queda una etiqueta per provar d\u2019encasellar \u2013 quina absurda obstinaci\u00f3! \u2013 el que ens ofereixen. Perqu\u00e8 Disparate! \u00e9s, tamb\u00e9, teatre d\u2019objectes, i els objectes s\u00f3n els instruments i la m\u00fasica que emeten. La m\u00fasica \u00e9s feta gag, l\u2019instrument, cos \u2013 literalment en un parell d\u2019escenes.<\/p>\n

Per\u00f2 res funciona com hauria de funcionar, i precisament per aix\u00f2 \u00e9s un espectacle de s\u00edntesi. El mal funcionar supera les etiquetes, no hi ha t\u00e8cnica relluent, ni polida ni aplaudida. S\u2019aplaudeix, si de cas, per aquella compassi\u00f3 que desperta el trist pallasso que no se sap cordar les sabates; no per l\u2019oooh i l\u2019aah del doble salt mortal sense xarxa. Les arrels musicals de les melodies aproximades remeten a un imaginari similar: tonades de l\u2019\u00e0nima z\u00edngara, el caos i la m\u00e0gia d\u2019un m\u00f3n desordenat, trist i feli\u00e7 a l\u2019hora, gatto nero gatto bianco<\/em>.<\/p>\n

Per poder despertar aquestes sensacions des del circ, a Disparate! veiem el circ desapar\u00e8ixer en el seu desordre: Quin \u00faltim absurd! Per\u00f2 vet aqu\u00ed l\u2019equilibri d\u2019aquest espectacle fr\u00e0gil, tant fr\u00e0gil com els personatges i els seus intents de fer funcionar l\u2019orquestra. Un cable particular, un malabarisme de disciplines, malapteses entrebancs i melancolies, per\u00f2 ves per on: al final l\u2019absurd ressona, tremola, implosiona en si mateix i… no cau.<\/p>\n

Jordi Ribot Thunnissen<\/strong><\/p>\n

 <\/p>\n

CACOPHONIC PICTURES ORKESTAR \/ KARL STETS presenten \u00a1Disparate!\u00a0<\/em>del 20 al 22 de mar\u00e7 al Mercat de les Flors<\/span><\/span><\/a><\/p>\n

 <\/p>\n

Bibliografia<\/strong><\/p>\n

BOISSEAU, Rosita. Philippe Decoufl\u00e9, Textuel, 2003.<\/p>\n

F\u00c0BREGAS, Jordi. Presentaci\u00f3 d\u2019Alwin Nikola\u00efs. Dins de: Estudis Esc\u00e8nics, Quaderns de l\u2019Institut del Teatre, 33-34.<\/p>\n

NIKOLAIS, Alwin. Motion\/Stasis. Dins de: Estudis Esc\u00e8nics, Quaderns de l\u2019Institut del Teatre, 33-34.<\/p>\n

LORENDON, Laurence et Gilles, Nouveau Cirque : la grande aventure, Cherche Midi \u00e9diteurs, 127 p<\/p>\n

 <\/p>\n

Linkografia<\/strong><\/p>\n

Num\u00e9ridanse \u2013 Performing Arts Movement<\/p>\n

http:\/\/www.numeridanse.tv\/medias\/docs\/Performing_arts_movement.pdf<\/a><\/span><\/span><\/p>\n

Num\u00e9ridanse \u2013 La Danse a la croisee des arts:<\/span><\/span> http:\/\/www.numeridanse.tv\/fr\/themas\/16_la-danse-a-la-croisee-des-arts<\/a><\/span><\/span><\/p>\n

Sideshow \u2013 Circus Magazine:<\/p>\n

http:\/\/sideshow-circusmagazine.com\/<\/a><\/span><\/span><\/p>\n

 <\/p>\n

Videografia i altres links d\u2019inter\u00e8s<\/strong><\/p>\n

Circ d\u2019Ara Mateix \u2013 Mercat de les Flors 2014: https:\/\/develop.mercatflors.cat\/ciclesifestivals\/circ-dara-mateix\/<\/a><\/span><\/span><\/p>\n

Nikola\u00efs \u2013 Sanctum Imago: http:\/\/www.numeridanse.tv\/fr\/video\/1337_sanctum-imago<\/a><\/span><\/span><\/p>\n

Philippe D\u00e9couffle \u2013 Solo: http:\/\/www.numeridanse.tv\/fr\/video\/1275_solo-2003-extrait<\/a><\/span><\/span><\/p>\n

Philip Decoufle – Triton: http:\/\/www.numeridanse.tv\/fr\/video\/525_triton<\/a><\/span><\/span><\/p>\n

Les Colporteurs \u2013 Le Fil sous la Neige: https:\/\/www.youtube.com\/watch?v=ZeepBCFvw4A<\/a><\/span><\/span><\/p>\n

Bar\u00f3 d\u2019Evel \u2013 La sort du dedans: https:\/\/www.youtube.com\/watch?v=ZdWX8hjLqlU<\/a><\/span><\/span><\/p>\n

PSirC \u2013 Acrometria: https:\/\/www.youtube.com\/watch?v=5RyQZB7a-cs<\/a><\/span><\/span><\/p>\n

Yoann Bourgeois \u2013 Cavale (Video-dansa-acrob\u00e0cia): http:\/\/www.numeridanse.tv\/fr\/video\/1273_cavale<\/a><\/span><\/span><\/p>\n

Emir Kusturica \u2013 Gatto Nero Gatto Bianco: https:\/\/www.youtube.com\/watch?v=hZk0poen9VQ<\/a><\/span><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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