{"id":117366,"date":"2016-01-28T16:23:12","date_gmt":"2016-01-28T16:23:12","guid":{"rendered":"https:\/\/develop.mercatflors.cat\/blog\/?p=762"},"modified":"2023-06-15T09:44:36","modified_gmt":"2023-06-15T09:44:36","slug":"sobre-mal-pelo-per-ester-vendrell","status":"publish","type":"blog","link":"https:\/\/develop.mercatflors.cat\/en\/blog\/sobre-mal-pelo-per-ester-vendrell\/","title":{"rendered":"‘Sobre MAL PELO’, per Ester Vendrell"},"content":{"rendered":"

“Esa luz que es fuego, y ese fuego que es luz, dan alas a nuestra mente y a nuestro coraz\u00f3n; hacen de nuestro cuerpo un esp\u00edritu y de nuestro esp\u00edritu un cuerpo.”<\/strong><\/p>\n

(D.Rumi)<\/strong><\/p>\n

 <\/p>\n

Mal Pelo, un dels referents inq\u00fcestionables de la dansa contempor\u00e0nia del pa\u00eds, abra\u00e7a la trentena. En el nostre context cultural aquest trajecte suposa m\u00e9s que una proesa, mostra la fermesa d\u2019haver estat capa\u00e7 de construir, conv\u00e8ncer i aprofundir ; alhora que madurar compartint i cedint. Com a companyia associada al Mercat de les Flors, Mal Pelo ofereix un programa que permet assaborir el present revisant el passat tot intuint el futur.<\/p>\n

En la tradici\u00f3 hind\u00fa es parla d\u2019ashrama dharma<\/em> per referir-se a l\u2019expressi\u00f3 i maduraci\u00f3 natural del cos, la ment i les emocions al llarg de les diferents etapes de la vida. Les escriptures conegudes com Dharma Shastra fan refer\u00e8ncia als acompliments i actituds en les etapes progressives de joventut i formaci\u00f3 (Brahmacharya) ; edat adulta , treball i responsabilitats socials i familiars (grihastha); maduresa i etapa de retirada progressiva per aprofundir en la dimensi\u00f3 m\u00e9s espiritual (vanaprastha ); i vellesa o etapa de preparaci\u00f3 pel viatge final (sannyasa ) \u2026<\/p>\n

Actualitzant aquests per\u00edodes de vida als temps presents, cada etapa equivaldria a uns 25 anys,…Diuen que la vida d\u2019un home dura tant com la de tres cavalls<\/em>\u2026(Erri de Luca).<\/p>\n

Per aquells qui han fet de l\u2019art el cam\u00ed d\u2019exploraci\u00f3 de la vida, aquestes etapes poden quedar plenament dibuixades tamb\u00e9 en per\u00edodes definits i en el cas de Mal Pelo ens situarien entre la consolidaci\u00f3 d\u2019una traject\u00f2ria -que \u00e9s alhora una po\u00e8tica reconeixible – i el goig d\u2019anar cedint, compartint i transferint…<\/p>\n

Les peces que es presenten en aquest cicle s\u00f3n testimoni de fruits presents i passats. En elles es visualitzen les indagacions vitals i po\u00e8tiques -humanes i compromeses -alhora que s\u2019explora i s\u2019aprofundeix en el seu llenguatge, el discurs corporal d\u2019aquestes motivacions encarnades.<\/p>\n

El Cinqu\u00e8 Hivern,<\/em><\/strong> la darrera creaci\u00f3 de Mal Pelo , convida a la reflexi\u00f3 d\u2019una maduresa de vida compartida. Dues \u00e0nimes que transiten plegades es q\u00fcestionen el pas del temps, el sentit i les limitacions de l\u2019espai on viuen. Pep i Mar\u00eda transfereixen al seu m\u00f3n po\u00e8tic i subtil reflexions i paraules de l\u2019escriptor itali\u00e0 Erri de Luca. I en la puresa del buit i del blanc que emana de l\u2019escena, el moviment i la veu tracen pensaments, estats d\u2019\u00e0nim, records i inc\u00f2gnites futures. El resultat n\u2019\u00e9s un poema \u00edntim i subtil\u00a0\u00a0 per\u00f2 contundent a la vegada per la potent pres\u00e8ncia dels seus int\u00e8rprets. Els seus gestos, profunditat de mirades i canvis de ritme s\u00f3n com centelleigs que ens remeten a Dol<\/em>, que ens recorden a Acostadita<\/em>, o al mateix Bach<\/em> (2004), antics treballs que evoquen les llavors d\u2019aquesta germinaci\u00f3 . Amb el temps i l\u2019evoluci\u00f3 el treball s\u2019ha anat destil\u00b7lant i s\u2019han substitu\u00eft les faules per experi\u00e8ncies m\u00e9s vitals i l\u2019escena s\u2019ha buidat de ficci\u00f3 per omplir-se de pres\u00e8ncia . El resultat del Cinqu\u00e8 Hivern<\/em> tamb\u00e9 \u00e9s fruit d\u2019un treball d\u2019equip gestat amb anys de complicitats , de col\u00b7laboradors a l\u2019entorn de la companyia i l\u2019espai compartit de creaci\u00f3 contempor\u00e0nia L\u2019animal a l\u2019esquena<\/em>.<\/p>\n

Aquest espai tamb\u00e9 ha estat des de l\u2019any 2001 el laboratori que ha perm\u00e8s l\u2019intercanvi i la transfer\u00e8ncia art\u00edstica amb creadors i llenguatges diversos que ara permeten propostes de contaminaci\u00f3 i d\u2019hibridaci\u00f3, a part de creacions en resid\u00e8ncia.<\/p>\n

Siete Lunas<\/em> (2013) n\u2019\u00e9s un exemple. El di\u00e0leg entre el flamenc, aparentment lluny\u00e0 dels imaginaris art\u00edstics de Mal Pelo, situa la conflu\u00e8ncia amb Ni\u00f1o de Elche en all\u00f2 m\u00e9s \u201cjondo\u201d m\u00e9s profund, que \u00e9s universal a tota \u00e0nima humana i sensible. Una improvisaci\u00f3 propiciada per explorar ponts i punts de conflu\u00e8ncia que s\u2019ha convertit en una fruct\u00edfera i continuada col\u00b7laboraci\u00f3 art\u00edstica.<\/p>\n

El nom d\u2019Istanbul<\/em> sempre ens remet a la m\u00edtica ciutat pont entre cultures, civilitzacions i lleng\u00fces. Istanbul<\/em> tamb\u00e9 \u00e9s el t\u00edtol del segell musical que porta la saviesa art\u00edstica de Savall i Hesp\u00e8rion XXI. Una selecci\u00f3 de m\u00fasica cuIta i popular de la tradici\u00f3 otomana, arm\u00e8nia, sefardita i turca -interpretada per Dimitri Psonis, Ha\u00efg Sarikouyoumdjian, Hakan G\u00fcng\u00f6r i David Mayoral acompanyant al mestre Savall- trobar\u00e0 la seva resson\u00e0ncia f\u00edsica amb la proposta de Mal Pelo. La bellesa, els ritmes, timbres i vibracions musicals es visualitzaran en textures, qualitats i formes en l\u2019espai del Mercat de les Flors. Una invitaci\u00f3 de luxe a propiciar una trobada amb possibilitats de futur .<\/p>\n

Fer cam\u00ed a la vida \u00e9s tamb\u00e9 deseiximent i ren\u00fancia, i en el context de la dansa el canvi i les limitacions del cos aix\u00ed ho propicien. Acceptar-ho \u00e9s un acte de maduresa, sovint escenificada amb un relleu generacional. Federica Porello t\u00e9 l\u2019honor d\u2019heretar la saviesa art\u00edstica de Mar\u00eda Mu\u00f1oz a partir Bach <\/em>(2004), un dels solos m\u00e9s significatius de la seva plenitud interpretativa. La riquesa musical d\u2019 El clavec\u00ed ben temperat<\/em> es converteix en la partitura on explorar moviments, qualitats din\u00e0miques, contrapunts, silencis i arquitectura a l\u2019espai.\u201c Porqu\u00e9 cuando bailas, hablas, y bailar nos estructura el pensamiento de una manera diferente, y nos permite mezclar nuestro di\u00e1logo interior con el movimiento. Nada: una especie de milagro.\u201d<\/strong> (A. Margarit, 2000:129 a Mal Pelo, 2000).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ester Vendrell<\/strong><\/p>\n

 <\/p>\n

MAL PELO arriba al Mercat de les Flors de l’11 al 21 de febrer per presentar El cinqu\u00e8 hivern<\/em>, Istanbul<\/em> (amb Jordi Savall \/ Hesperion XXI), 7 lunas<\/em> i Bach<\/em><\/span><\/a><\/p>\n

 <\/p>\n

Bibliografia<\/strong><\/p>\n

AAVV. Swimming Horses. Mal Pelo<\/em>. Ed. Mal Pelo. 2013<\/p>\n

Ramis,P i Mu\u00f1oz,M; Mal Pelo, l\u2019animal a l\u2019esquema<\/em>. Mal Pelo. 2000.<\/p>\n

Erri de Luca; Tu, meu<\/em>. Emp\u00faries Narrativa.2000.<\/p>\n

Erri de Luca; Aqu\u00ed no , ahora no<\/em>. Akal.2000.<\/p>\n

Erri de Luca; El contrario de Uno<\/em>. Siruela 2005.<\/p>\n

Erri de Luca; En el nombre de la madre<\/em>. Siruela 2007.<\/p>\n

Erri de Luca; El dia antes de la felicidad<\/em>. Siruela. 2009.<\/p>\n

Erri de Luca. Tre Cavalli<\/em>. Trad. Franc\u00e8s.Trois Chevaux<\/em>. Gallimard. 2001.<\/p>\n

Magali Nachtergael et Lucille Toth; Danse contemporaine et litt\u00e9rature, entre performances \u00e9crites.<\/em> CND. 2015.<\/p>\n

\u00a0<\/strong><\/p>\n

Links<\/strong><\/p>\n

http:\/\/www.malpelo.org\/<\/strong><\/a><\/p>\n

http:\/\/www.lanimal.org\/<\/strong><\/a><\/p>\n

http:\/\/www.alia-vox.com\/<\/strong><\/a><\/p>\n

http:\/\/www.fundaciocima.org\/<\/strong><\/a><\/p>\n

http:\/\/www.ninodeelche.net\/<\/strong><\/a><\/p>\n

https:\/\/vimeo.com\/142125042<\/strong><\/a> (Bach, Mar\u00eda Mu\u00f1oz)<\/strong><\/p>\n

https:\/\/www.youtube.com\/watch?v=p4CxbOP_PDI<\/strong><\/a><\/p>\n

https:\/\/www.youtube.com\/watch?v=gdBSF5MGd3U<\/strong><\/a> ( El cinqu\u00e8 hivern)<\/strong><\/p>\n

https:\/\/www.youtube.com\/watch?v=FiMj4RqCrW0<\/strong><\/a> (Conversa Mal Pelo, Mov-s, 2012)<\/strong><\/p>\n

https:\/\/federicaporello.wordpress.com\/<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Fer cam\u00ed a la vida \u00e9s tamb\u00e9 deseiximent i ren\u00fancia<\/p>\n","protected":false},"featured_media":117367,"template":"","categoria":[6677],"etiqueta_blog":[],"class_list":["post-117366","blog","type-blog","status-publish","has-post-thumbnail","hentry","categoria-temporada-2015-16"],"acf":[],"yoast_head":"\n'Sobre MAL PELO', per Ester Vendrell<\/title>\n<meta name=\"description\" content=\"Fer cam\u00ed a la vida \u00e9s tamb\u00e9 deseiximent i ren\u00fancia\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/develop.mercatflors.cat\/en\/blog\/sobre-mal-pelo-per-ester-vendrell\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Sobre MAL PELO', per Ester Vendrell\" \/>\n<meta property=\"og:description\" content=\"Fer cam\u00ed a la vida \u00e9s tamb\u00e9 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