{"id":116542,"date":"2018-04-10T10:17:38","date_gmt":"2018-04-10T10:17:38","guid":{"rendered":"https:\/\/develop.mercatflors.cat\/blog\/?p=1330"},"modified":"2023-06-15T09:46:42","modified_gmt":"2023-06-15T09:46:42","slug":"sobre-silenzio-per-jean-michel-guy","status":"publish","type":"blog","link":"https:\/\/develop.mercatflors.cat\/en\/blog\/sobre-silenzio-per-jean-michel-guy\/","title":{"rendered":"Sobre “Silenzio”, per Jean-Michel Guy"},"content":{"rendered":"

\u00abEls c\u00e0ntics m\u00e9s desesperats s\u00f3n els m\u00e9s bonics<\/strong>\u00bb[1]<\/strong><\/a><\/p>\n

Un home plora l\u2019amor de la seva vida. Potser l\u2019ha experimentat cinc vegades, amb dones successives o simult\u00e0nies? O \u00e9s sempre la mateixa dona, rememorada amb diferents m\u00e0scares, en diferents \u00e8poques en col\u00b7lisi\u00f3? Una cosa \u00e9s clara: en el seu record reconstru\u00eft, on no hi ha espai per a la banalitat, totes han estat i s\u00f3n embruixadores. Boniques, terribles i misterioses com ones gravitacionals o com forats negres, capaces de reformular l\u2019espaitemps al seu gust, de crear atzars amb aspecte de necessitat, han existit realment? No \u00e9s m\u00e9s aviat ell qui les inventa? Qui, al llindar del darrer silenci, es permet finalment la llibertat d\u2019escriure\u2019s?<\/p>\n

Quantes hip\u00f2tesis! I tanmateix, el p\u00fablic s\u2019endinsa en aquesta hist\u00f2ria enginyosa, malgrat que estigui oberta a tantes interpretacions. Veient la seva trama de facetes reverberants, Silenzio<\/em> podria passar fins i tot per una novel\u00b7la negra. Que ning\u00fa s\u2019enganyi: els personatges, en realitat, s\u00f3n poemes extrets de l\u2019obra d\u2019Alda Merini,[2]<\/a> una idolatrada autora italiana que, des dels hospitals psiqui\u00e0trics on va passar gran part de la seva vida, no va parar d\u2019exal\u00e7ar l\u2019amor. Vet aqu\u00ed l\u2019acrob\u00e0cia que, servida per uns int\u00e8rprets singulars, ens els fa arribar. S\u00f3n l\u2019encarnaci\u00f3 del que \u00e9s indescriptible.<\/p>\n

Silenzio<\/em> \u00e9s una invitaci\u00f3 a escoltar la nostra intimitat, all\u00f2 que nom\u00e9s expressem tergiversat i fragmentat, en secret o potser a trav\u00e9s d\u2019esquerdes, de precipicis, de precipitats. El silenci pot ser terrible, com el mutisme en qu\u00e8 les camperoles del Fri\u00fcl \u2014d\u2019on \u00e9s originari Roberto Magro i a les quals ret homenatge aqu\u00ed\u2014 van ser recloses no fa pas tant de temps. O tamb\u00e9 pot ser, en aquesta \u00e8poca d\u2019exhibicionisme eixordador a les xarxes socials, un assossec reparador. Aqu\u00ed hi s\u00f3n tots dos, ben presents: g\u00e0bia, abisme, refugi, ull de l\u2019hurac\u00e0, pau. Sens dubte perqu\u00e8 nom\u00e9s en el contrast hi ha l\u2019acci\u00f3, la m\u00fasica i la llum i la vida. Enlluernadores, desborden generositat, com guies fiables dins el laberint (i aix\u00f2 no \u00e9s una met\u00e0fora, perqu\u00e8 l\u2019escenografia recorda de vegades un d\u00e8dal de vidre).<\/p>\n

Silenzio<\/em> tamb\u00e9 \u00e9s un espectacle de circ que ha heretat de la hist\u00f2ria d\u2019aquesta art immemorial \u2014per desgr\u00e0cia limitada massa sovint a la seva versi\u00f3 m\u00e9s ostentosa, tot i que m\u00e9s recent\u2014 la responsabilitat de renovar-se constantment. \u00c9s f\u00e0cil de dir, per\u00f2 molt dif\u00edcil de fer, justament perqu\u00e8 aquest estereotip est\u00e8tic ha arrelat en el nostre pensament. De la perxa \u00abxinesa\u00bb corbada a la motivaci\u00f3 teatral d\u2019una contorsi\u00f3, passant per les fronteres difuminades entre dansa i acrob\u00e0cia, el circ es renova a Silenzio<\/em> oblidant-se d\u2019ell mateix. O m\u00e9s aviat se\u2019ns presenta amb tota la seva complexitat i el que hem de fer \u00e9s, amb perm\u00eds de la canalla \u2014o per controlar-la!\u2014, desempallegar-nos al m\u00e9s aviat possible de la immutabilitat simplista del circ d\u2019antany.<\/p>\n

Com la majoria de n\u00fameros de circ contemporani, sempre singulars, aquest posa en joc una dramat\u00fargia del sentit que subordina la realitzaci\u00f3 de la m\u00ednima proesa a una intencionalitat m\u00e9s potent, a un \u00abprop\u00f2sit\u00bb. Aix\u00f2 no t\u00e9 res de cerebral: els creadors de circ no es proposen parlar de coses intel\u00b7lectuals a un p\u00fablic intel\u00b7lectual, tot i que no s\u2019ho prohibeixen. La seva aspiraci\u00f3 \u00e9s obrir l\u2019imaginari i despertar sentiments m\u00e9s sofisticats que la por, el vertigen i l\u2019estupefacci\u00f3 en qu\u00e8 ha basat el seu negoci el circ \u00abtradicional\u00bb. Visualment i musicalment accessible, el prop\u00f2sit de Silenzio<\/em> no \u00e9s pas menys dif\u00edcil de definir que un estat d\u2019\u00e0nim. \u00c9s<\/em> un estat d\u2019\u00e0nim. Com en aquells estats d\u2019\u00e0nim que sovint experimentem, que no sabem analitzar gaire i que nom\u00e9s l\u2019alqu\u00edmia de l\u2019art ens fa veure di\u00e0fans, s\u2019hi barregen sense cap complex els ox\u00edmorons: de l\u2019alegria melanc\u00f2lica a la desmesura controlada, del dubte conven\u00e7ut a l\u2019avergonyiment digne. Potser tamb\u00e9 \u00e9s l\u2019estat d\u2019\u00e0nim de l\u2019autor que, davant la p\u00e0gina en blanc, es debat entre la urg\u00e8ncia d\u2019explicar alguna cosa \u2014en aquest cas la seva perplexitat davant el poder enigm\u00e0tic del desig\u2014 i la vor\u00e0gine de les emocions que l\u2019assalten.<\/p>\n

Deu ser vel\u00b7le\u00eft\u00f3s, Roberto Magro? Conegut a Catalunya per haver dirigit durant uns anys la Central del Circ de Barcelona, tamb\u00e9 havia estat director art\u00edstic de l\u2019escola de circ Flic de Tor\u00ed i, abans encara, acr\u00f2bata de corda llisa, sobretot en companyies de circ franceses. No ha deixat de rec\u00f3rrer el m\u00f3n: ahir al Brasil per dirigir un muntatge, dem\u00e0 a Praga per animar un laboratori de recerca i la setmana seg\u00fcent a It\u00e0lia per impartir un curs o a Brussel\u00b7les per oferir un taller, aix\u00f2 quan no presideix el jurat del Circus Next[3]<\/a> a Par\u00eds. Silenzio<\/em> \u00e9s fruit sobretot de la necessitat d\u2019aplegar les magn\u00edfiques personalitats que l\u2019han enamorat, aqu\u00ed i all\u00e0, durant la seva traject\u00f2ria.<\/p>\n

Jean-Michel Guy<\/strong>
\nEnginyer de recerca del Ministeri de Cultura (Fran\u00e7a), autor i director<\/em><\/p>\n

[1]<\/a> Vaig triar per t\u00edtol un conegut vers de La nuit de mai<\/em> (\u00abNit de maig\u00bb) del poeta franc\u00e8s Alfred de Musset, escrit el 1835. En franc\u00e8s: \u00abLes plus d\u00e9sesp\u00e9r\u00e9s sont les chants les plus beaux \/ Et j\u2019en sais d\u2019immortels qui sont de purs sanglots\u00bb (\u00abEls c\u00e0ntics m\u00e9s desesperats s\u00f3n els m\u00e9s bonics \/ I en s\u00e9 alguns d\u2019immortals que s\u00f3n aut\u00e8ntics laments\u00bb); \u00e9s el meu homenatge com a ciutad\u00e0 franc\u00e8s a la inspiraci\u00f3 po\u00e8tica, molt italiana, de Roberto Magro, a qui considero un neorom\u00e0ntic.<\/p>\n

[2]<\/a> El recull La\u00a0Terra Santa<\/em> d\u2019Alda Merini est\u00e0 tradu\u00eft al catal\u00e0 per Nora Albert (Editorial Arela, 2016). Vegeu tamb\u00e9 https:\/\/ca.wikipedia.org\/wiki\/Alda_Merini. Un poema d\u2019Alda Merini en itali\u00e0 (\u00abNon ho bisogno di denaro\u00bb): <\/strong>Non ho bisogno di denaro \/ Ho bisogno di sentimenti. \/ Di parole, di parole scelte sapientemente, \/ di fiori, detti pensieri, \/ di rose, dette presenze, \/ di sogni, che abiti no gli alberi, \/ di canzoni che faccian danzar le statue, \/ di stelle che mormorino all\u2019orecchio degli amanti\u2026 \/ Ho bisogno di poesia, \/ questa magia che brucia la pesantezza delle parole, \/ che risveglia le emozioni e d\u00e0 colori nuovi.<\/em><\/p>\n

[3]<\/a> Circus Next (circusnext.eu\/fr\/accueil) \u00e9s una iniciativa europea de suport als joves creadors de circ.<\/p>\n","protected":false},"excerpt":{"rendered":"

‘Silenzio’ dona veu a la realitat de dones que han viscut sempre en silenci<\/p>\n","protected":false},"featured_media":116573,"template":"","categoria":[6852],"etiqueta_blog":[],"class_list":["post-116542","blog","type-blog","status-publish","has-post-thumbnail","hentry","categoria-temporada-2017-18"],"acf":[],"yoast_head":"\nSobre "Silenzio", per Jean-Michel Guy<\/title>\n<meta name=\"description\" content=\"'Silenzio' dona veu a la realitat de dones que han viscut sempre en silenci\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/develop.mercatflors.cat\/en\/blog\/sobre-silenzio-per-jean-michel-guy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sobre "Silenzio", per Jean-Michel Guy\" \/>\n<meta property=\"og:description\" content=\"'Silenzio' dona veu a la realitat de 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