{"id":116054,"date":"2019-07-05T11:42:29","date_gmt":"2019-07-05T11:42:29","guid":{"rendered":"https:\/\/develop.mercatflors.cat\/blog\/?p=1618"},"modified":"2023-06-15T09:47:29","modified_gmt":"2023-06-15T09:47:29","slug":"parlem-amb-societat-doctor-alonso","status":"publish","type":"blog","link":"https:\/\/develop.mercatflors.cat\/en\/blog\/parlem-amb-societat-doctor-alonso\/","title":{"rendered":"Parlem amb Societat Doctor Alonso"},"content":{"rendered":"

Llegeixen filosofia als arbres (Contrakant<\/em>) i rebobinen pel\u00b7l\u00edcules per tornar a veure-les (Andrei Rublev<\/em>). Sofia Asencio i Tom\u00e0s Aragay han creat un m\u00e8tode de recerca que permet el buit de sentit i s\u2019entusiasma amb els di\u00e0legs oberts. Aix\u00ed capten la bellesa de la fragilitat (Sobre la bellesa<\/em>) i la fugacitat que \u00e9s la vida. <\/strong><\/p>\n

Sobre la bellesa <\/em><\/strong>t\u00e9 uns int\u00e8rprets molt especials, de 65 a 80 anys, per\u00f2 que no seran els mateixos que el 2003.<\/strong><\/p>\n

T-<\/strong> Alguns ja no hi s\u00f3n, per aix\u00f2 el nou c\u00e0sting. La vam refer l\u2019any passat a Fran\u00e7a, i ara ser\u00e0 una versi\u00f3 molt diferent.<\/p>\n

S-<\/strong> La visi\u00f3 que tenim del cos de la gent gran ha canviat des del 2003; a la mateixa edat, ara ens semblen molt m\u00e9s vitals.<\/p>\n

T-<\/strong> La gent gran d\u2019ara \u00e9s m\u00e9s activa, fa ioga, es cuida… I tamb\u00e9 passa que el 2003 jo tenia 35 anys i el cos d\u2019una persona gran em semblava molt lluny, mentre que ara…<\/p>\n

S-<\/strong> Si continuem uns anys m\u00e9s, podrem interpretar-la nosaltres mateixos! Per\u00f2 s\u00f3n int\u00e8rprets no professionals.<\/p>\n

T-<\/strong> \u00c9s una pe\u00e7a molt coreogr\u00e0fica en el sentit que est\u00e0s dibuixant l\u2019espai, i tamb\u00e9 \u00e9s molt escult\u00f2rica, pels cossos que l\u2019ocupen. S\u00f3n cossos de gent que t\u00e9 algunes dificultats per moure\u2019s per\u00f2 alhora amb una bellesa tan especial!<\/p>\n

S-<\/strong> La simplicitat, la timidesa i la innoc\u00e8ncia formen part de la bellesa que existeix en la gent comuna.<\/p>\n

A Andrei Rublev <\/em>tamb\u00e9 tracteu la bellesa, per\u00f2 des d\u2019una altra mirada.<\/strong><\/p>\n

T-<\/strong> Partim de la pel\u00b7l\u00edcula del mateix nom, de Tarkovski, que \u00e9s el viatge d\u2019uns pintors per una R\u00fassia en guerra i que ens parla de la necessitat que t\u00e9 l\u2019home per fer c\u00e0nons de bellesa, quan al costat sempre hi ha viol\u00e8ncia.<\/p>\n

S-<\/strong> T\u00e9 una part molt fosca.<\/p>\n

T-<\/strong> Tamb\u00e9 ens interessa el discurs sobre l\u2019art, a m\u00e9s de la pl\u00e0stica del cineasta, la seva manera de filmar el territori, els animals… Rublev pintava en perspectiva invertida, com tots els pintors del segle XV, que vol dir que els quadres tenien el punt de fuga cap a dins.<\/p>\n

S-<\/strong> Com ell, l\u2019escena contempor\u00e0nia no intenta reproduir la realitat, treballa idees abstractes amb un di\u00e0leg d\u2019interior (de l\u2019obra) a interior (de l\u2019espectador).<\/p>\n

T-<\/strong> Des que es va estrenar el 2015 ha pres diferents formats que ara hem continuat investigant. Com \u00e9s l\u2019evoluci\u00f3 habitual d\u2019una pe\u00e7a?<\/p>\n

S-<\/strong> Gaireb\u00e9 sempre l\u2019estrena \u00e9s una mica prenatal, i algunes peces no les entens fins que no les presentes, i a partir d\u2019aquest moment encara continuen creixent i prenent forma. Per aix\u00f2 \u00e9s important poder fer m\u00e9s actuacions. I, per qu\u00e8 no podem fer com els pintors, que fan diferents estudis d\u2019un mateix tema?<\/p>\n

A Contrakant <\/em>presenteu una pe\u00e7a contra la idea d\u2019espai.<\/strong><\/p>\n

S-<\/strong> No! Contra la idea kantiana de l\u2019espai.<\/p>\n

T-<\/strong> Kant diu que no podem captar la realitat si no tenim unes idees pr\u00e8vies sobre aquest temps i espai. I nosaltres ho posem en dubte.<\/p>\n

S-<\/strong> Tot i que, en part, Kant t\u00e9 ra\u00f3, perqu\u00e8 no pots anomenar cap lloc sense la idea del lloc, per a nosaltres \u00e9s l\u2019\u00fas que fem de l\u2019espai all\u00f2 que li dona la seva particularitat. El problema dels fil\u00f2sofs \u00e9s que per entendre\u2019ls has d\u2019entrar en la seva filosofia i aqu\u00ed caus en la seva trampa. Per aix\u00f2 ens hem de mantenir en l\u2019acci\u00f3.<\/p>\n

T-<\/strong> Entro al teatre o surto del carrer? \u00c9s relatiu i \u00e9s una trampa del llenguatge, que amb la fisicitat posem en dubte. Quan comen\u00e7a aquesta passi\u00f3 per la filosofia?<\/p>\n

T-<\/strong> Jo vaig fer dos cursos de filosofia a la universitat, per\u00f2 em vaig cansar, i no va ser fins que la Sofia va comen\u00e7ar a estudiar per fer les proves d\u2019acc\u00e9s a la universitat per a m\u00e9s grans de 25 anys que va con\u00e8ixer un professor que en sabia molt i li va entrar el cuquet.<\/p>\n

S-<\/strong> Anava a casa seva dos cops per setmana i em va introduir en la metaf\u00edsica, vam estudiar Kant… Va ser un luxe. I em vaig adonar que l\u2019\u00e0mbit que treballem \u00e9s molt metaf\u00edsic: nom\u00e9s pensar qu\u00e8 \u00e9s el moviment ja \u00e9s un exercici de metaf\u00edsica.<\/p>\n

SOCIETAT DOCTOR ALONSO presenta ‘Sobre la bellesa’ (del 28 de novembre a l’1 de desembre), ‘Contrakant’ (del 5 al 8 de mar\u00e7) i ‘Andrei Rublev’ (del 6 al 9 de maig), una paniconografia al Mercat de les Flors, dins la CONSTEL\u00b7LACI\u00d3 SOCIETAT DOCTOR ALONSO.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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